Garden of Sound. Amazing!
The musical installation created by creative director Morihiro Harano is a mesmerizing fusion of art, technology, and nature.
Known for his innovative approach to blending various disciplines, Harano’s project is an exemplary display of creativity and precision. The installation, set in the serene forests of Japan, features a giant wooden xylophone meticulously constructed to play a classical melody as a wooden ball rolls down its length. This unique creation not only highlights Harano’s artistic vision but also showcases the harmonious relationship between natural materials and human ingenuity.
The installation is designed to play Johann Sebastian Bach’s “Jesu, Joy of Man’s Desiring,” a piece renowned for its soothing and uplifting qualities. As the ball descends, striking each wooden bar, the melody resonates through the forest, creating an enchanting auditory and visual experience. The xylophone is crafted entirely from sustainably sourced wood, emphasizing Harano’s commitment to environmental consciousness. Each note is carefully calibrated, requiring precise craftsmanship to ensure the melody is played perfectly. This meticulous attention to detail reflects Harano’s dedication to creating a work of art that is both beautiful and functional.
What makes Harano’s installation particularly captivating is the integration of natural elements with technological innovation. The movement of the ball is orchestrated to take advantage of the forest’s natural slopes, allowing gravity to propel it smoothly along the xylophone. The sound produced is organic, blending seamlessly with the ambient noises of the forest, such as rustling leaves and birdsong. This symbiosis between the installation and its environment creates a tranquil yet immersive experience for viewers, encouraging them to reflect on the beauty and harmony of nature.
Moreover, Harano’s project has garnered significant attention for its ability to evoke emotional responses from its audience. The installation not only serves as a musical performance but also as a meditative journey, inviting viewers to pause and appreciate the intricate relationship between art and nature. It has been praised for its ability to inspire a sense of wonder and contemplation, demonstrating the power of creative expression to touch the human soul.
It did not take much time for me to come up with the idea to set up a huge xylophone in the forest and play the instrument, but the first design submitted was much more complicated and twisted with gimmicks like the Rube Goldberg Machine. What I have done was to reduce such gimmicks and gave the visual direction: “straight line in the forest.” This process added a unique mystique and narrative aspect to the work.